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2. Conservation and restoration of painting frames - Wikipedia

   en.wikipedia.org/wiki/Conservation_and...

   If the frame was created, designed, or selected by the artist; If the frame was selected by the first owner or dealer; If the frame is a stylistically appropriate and of the same age as the painting; If the frame is a "livery" or "gallery" frame; If the frame is a replica; An authentic frame conveys the spirit of the time in which it was made.

3. Gallery wrap - Wikipedia

   en.wikipedia.org/wiki/Gallery_wrap

   Gallery wrap is a method of displaying art wrapped over thick wooden bars so that there are no visible fasteners (such as staples or tacks). This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation.

4. Picture frame - Wikipedia

   en.wikipedia.org/wiki/Picture_frame

   View of a frame-maker's workshop, oil on canvas, circa 1900 The elaborate decoration on this frame may be made by adhering molded plaster pieces to the wood base.. A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters ...

5. List of paintings by Wassily Kandinsky - Wikipedia

   en.wikipedia.org/wiki/List_of_paintings_by...

   National Gallery of Armenia, Yerevan 106 x 157 1911 Composition V: Private collection 190 x 275 1911 With Sun: Lenbachhaus, Munich 30.6 x 40.3 Reverse glass painting 1911 All Saints Day I: Lenbachhaus, Munich 34.5 x 40.5 Reverse glass painting 1911 Lion Hunt: Solomon R. Guggenheim Museum, New York 9.4 x 13.6 Oil reverse glass painting 1911 Holy ...

6. White cube gallery - Wikipedia

   en.wikipedia.org/wiki/White_cube_gallery

   In Inside the White Cube: The Ideology of the Gallery Space, [3] he argued that in an easel painting the frame was the window through which one saw the world, and that required a wall for context. When the frame is gone and the wall is white, in O'Doherty's view, perspective and formal composition are absent.

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