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"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
Three Chords and the Truth is the debut studio album by American country music artist Sara Evans. The album's title comes from Harlan Howard , a country music songwriter to whom this quote is widely attributed.
"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: Minor: Atonal: Atonal: Bitonal: ... 2–3: Mix. V–IV–I turnaround:
US Country US US Pop; 2004 "Pickin' Wildflowers" 8 64 82 US: Gold; 2005 "XXL" 23 122 — 2006 "Every Time I Hear Your Name" 7 64 97 "Three Chord Country and American Rock & Roll" — — — "Podunk" 34 — — "—" denotes releases that did not chart
Harlan Perry Howard (September 8, 1927 – March 3, 2002) was an American songwriter, principally in country music. In a career spanning six decades, Howard is credited with writing more than 4,000 songs, over 100 of which reached country music's Top 10. [1]
Mixed thirds caused by blue notes in blues, country music and rock music can be thought to form mixed third chords, such as in "Rock And Roll Music". The dominant seventh sharp ninth chord 's major third and augmented ninth are enharmonically equivalent to a minor-over-major chord's thirds, and the two can be somewhat interchangeable.