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Mom and Dad Save the World is a 1992 American comedy film [2] directed by Greg Beeman.A parody of science fiction films, [3] the film stars Teri Garr and Jeffrey Jones as Marge and Dick Nelson, a married Earth couple who are kidnapped by Tod (), the cruel, inept and over-dramatic emperor of Spengo, a "planet of idiots".
Needpix - library of more than 1.5 million free, or so-called Public Domain Photos and Illustrations licensed with CC0. PDPics.com – Public domain photo collection with about 7400 high resolution pictures up to 6000x4000. All images licensed under CC0 license. Smithsonian Institution – Open Access – 2.8 million Free Public Domain images ...
Correct misinterpretations of free images. One of the main complaints about free images is lack of quality when compared with a promotional images. That is not true: there are very good free images as shown by Wikipedia:Featured pictures. In the case of replaceable images, it is possible that a promotional image will look better than free versions.
Directory of featured pictures Animals · Artwork · Culture, entertainment, and lifestyle · Currency · Diagrams, drawings, and maps · Engineering and technology · Food and drink · Fungi · History · Natural phenomena · People · Photographic techniques, terms, and equipment · Places · Plants · Sciences · Space · Vehicles · Other ...
Suzanne Valadon: self-portrait: pastel: Portrait of Erik Satie: 1892 Musée National d'Art Moderne: AM 1974-117 Erik Satie beard hat eyeglasses: portrait: canvas oil paint: Self-Portrait: 1898 Museum of Fine Arts, Houston: 98.306 Suzanne Valadon: self-portrait: oil paint canvas: Adam and Eve: 1909 Georges Pompidou Center, Paris, France AM 2325 ...
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The Abandoned Doll is an oil-on-canvas painting executed in 1921 by French artist Suzanne Valadon. It has the dimensions of 135 by 95 cm. It has the dimensions of 135 by 95 cm. It is held at the National Museum of Women in the Arts , in Washington, D.C. [ 1 ]
The Blue Room (La chambre bleue) is a 1923 painting by French artist Suzanne Valadon.One of her most recognizable works, it has been called a radical subversion of representation of women in art. [1]