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The St Mark Passion (full title: The Passion of Our Lord According to Saint Mark) of Charles Wood is a musical composition written in 1920. The work calls for solo tenor (Evangelist), solo baritone (Jesus), chorus and organ, as well as minor roles for five solo basses (Judas, High Priest, Peter, Pilate, Bystander), a solo treble (Maid), and a solo treble or alto (Maid II).
God of glory, Lord of love Hearts unfold like flow'rs before Thee Op'ning to the Sun above Melt the clouds of sin and sadness drive the dark of doubt away Giver of immortal gladness fill us with the light of day. All Thy works with joy surround Thee Earth and heav'n reflect Thy rays Stars and angels sing around Thee center of unbroken praise
O sacred Head, what glory, what bliss till now was Thine! Yet, though despised and gory, I joy to call Thee mine. Be Thou my consolation, my shield when I must die; remind me of Thy passion when my last hour draws nigh. Mine eyes shall then behold Thee, upon Thy cross shall dwell, my heart by faith enfolds Thee. Who dieth thus dies well.
Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the Hallelujah chorus.
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
Matthew 6:13 is the thirteenth verse of the sixth chapter of the Gospel of Matthew in the New Testament, and forms part of the Sermon on the Mount.This verse is the fifth and final one of the Lord's Prayer, one of the best known parts of the entire New Testament.
Birds of the sky literally translates as "birds in heaven," but this was a common expression for birds in flight through the air and does not imply the birds were with God. There are several debates over this verse. Firstly it can be interpreted as a commandment to idleness, to not farm or work for your food as God will provide for you.
Coloraturas accent the words "mountain" and "glory", and the words "God" and "Lord" are set in long notes. The choir voices enter in imitation, as if gathering, but soon sing together, starting with "arise" ( Isaiah 60:1 ) on a pronounced "ascending fourth "—a signal observed by musicologist Rudolf Steglich as a unifying motif of the oratorio.