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The illusion derives from the lack of visual cues for depth. For instance, as the dancer's arms move from viewer's left to right, it is possible to view her arms passing between her body and the viewer (that is, in the foreground of the picture, in which case she would be circling counterclockwise on her right foot) and it is also possible to view her arms as passing behind the dancer's body ...
Claudet also noted in 1867 that the thaumatrope could create a three-dimensional illusion. A spinning rectangular thaumatrope with the alternating letters of the name "Victoria" on each side, showed the full word with the letters at two different distances from the observer's eye. If the two strings of the thaumatrope are attached to the same ...
An isometric illusion (also called an ambiguous figure or inside/outside illusion) is a type of optical illusion, specifically one due to multistable perception. Jastrow illusion The Jastrow illusion is an optical illusion discovered by the American psychologist Joseph Jastrow in 1889.
Well, its status as an important optical illusion is an issue to be discussed in the optical illusion article or in an AfD for The Spinning Dancer. But it is quite relevant in its own article. Being nothing special is another story. gren グレン 07:28, 13 February 2008 (UTC) Every picture in every article is "relevant".
Optical illusion is also used in film by the technique of forced perspective. Op art is a style of art that uses optical illusions to create an impression of movement, or hidden images and patterns. Trompe-l'œil uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions.
Troxler's fading, also called Troxler fading or the Troxler effect, is an optical illusion affecting visual perception. When one fixates on a particular point for even a short period of time, an unchanging stimulus away from the fixation point will fade away and disappear. Research suggests that at least some portion of the perceptual phenomena ...
The supermodel slipped into a dizzying number for an outing in Los Angeles.
Impressions of several natural phenomena and the principles of some optical toys have been attributed to persistence of vision. In 1768, Patrick D'Arcy recognised the effect in "the luminous ring that we see by turning a torch quickly, the fire wheels in the fireworks, the flattened spindle shape we see in a vibrating cord, the continuous circle we see in a cogwheel that turns with speed". [8]