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The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor ).
A fife and drum corps is a musical ensemble consisting of fifes and drums. In the United States of America, fife and drum corps specializing in colonial period impressions using fifes, rope tension snare drums and rope tension bass drums are known as Ancient Fife and Drum Corps. [1] Many of these ensembles originated from a type of military ...
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
In the early days of pipe bands, rope tension snare drums were common, but as bagpipe tuning pitches became higher, a brighter tone was demanded from the drum corps. Pipe band drummers now play on drums with very tight, knitted kevlar heads, designed for maximum tension to create a very crisp and strident sound. Since today's drum is so facile ...
The cajón is becoming rapidly popular in blues, pop, rock, funk, world music, jazz, etc. The cajón is often used as a bass drum by bands instead of a full drum kit when performing in minimalist settings, as the cajón can simultaneously serve as both a bass drum and a seat for the drummer.
A snare drum trigger, for example, will often have two channels, one each for the rim and head, while a tom-tom drum trigger usually needs to only register strokes to the drum head. Drum triggers gained great attention in the beginning of the 1990s, being extensively used on bass drums in heavy metal music.
Cross Stick: X notehead in the snare drum part. Rim Shot: diagonal slash through note head. Brush sweep: horizontal-line notehead, with a slur mark added to show that the brush is not lifted. (Together, the horizontal-line notehead and its stem look rather like a long "T" or a long inverted "T", depending which way the stem is going.)
Darius Milhaud has been named one of the foremost composers of modern (mid-20th century) music for the tabor by Morris Goldenberg. His Suite Provancale calls for tabor played along with two other drums by a single player. In classical repertoire the tabor is usually played with two sticks, as many pieces call for speeds that are unwieldy for a ...