Search results
Results From The WOW.Com Content Network
The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
Whatever the religious significance, the musical development from the motifs is ingenious and subtle, constantly varying. The material in the semiquaver codetta (bar 6) of the fugue subject and of the countersubject (bars 7–9) is used and developed extensively throughout BWV 688, sometimes in inverted form. The theme itself is transformed in ...
The Prelude and Fugue in F minor, BWV 881, is a keyboard composition written by Johann Sebastian Bach. It is the twelfth prelude and fugue in the second book of The Well-Tempered Clavier , a series of 48 preludes and fugues by the composer.
BWV 577 – Fugue in G major "à la Gigue" (spurious) BWV 578 – Fugue in G minor "Little" BWV 579 – Fugue on a theme by Arcangelo Corelli (from Op. 3, No. 4); in B Minor; BWV 580 – Fugue in D major (spurious) BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius) BWV 581a – Fugue in G major (spurious)
Ideally, the fugue starts with one of the voices stating a certain theme (Theme A), and when the second voice enters, it repeats the same theme while the first voice accompanies (accompaniment = Theme B). Theme A is called the fugue's subject, the repetition of Theme A in the second voice is called the answer. Two major exceptions:
The fugue theme, like that of the prelude, is composed of arpeggiated chords and downward sequences, especially in its later half. Due to the sequential nature of the subject, the majority of the fugue is composed of sequences or cadences. The Fugue ends in one of Bach's most toccata-like, virtuosic cadenzas in the harmonic minor.
The Toccata and Fugue in D minor, BWV 538, is an organ piece by Johann Sebastian Bach.Like the better-known BWV 565, BWV 538 also bears the title Toccata and Fugue in D minor, although it is often referred to by the nickname Dorian – a reference to the fact that the piece is written without a key signature – a notation that leads one to assume the Dorian mode [citation needed].
A fugue usually has two main sections: the exposition and the body. In the exposition, each voice plays its own adaptation of the theme, in either a subject or an answer; they also provide countersubjects (counterpoints) to the following voices as they enter. [7]