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High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
Large ceramic container at the Museo Nacional de la Cerámica in Tonalá, Jalisco. A wide variety of traditional low temperature and higher temperature firing techniques are used in the Guadalajara area, to produce ware from cheap objects to artistic productions. The two main pottery producing municipalities are Tonalá and Tlaquepaque. [46]
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
A 1930s archeological survey of villages in the vicinity of Sultanabad, Iran uncovered that the region was a major center of Ilkhanid ceramic industry.Ilkhanid ceramics distinguished by their heavy potting, along with thick translucent glaze were henceforth called Sultanabad ware. [3]
Plain sigillata table vessels, which included large platters, shallow dishes in several sizes, slightly deeper bowls, and small cups, were made on the wheel using a range of templates to create very precise profiles. The sizes were also standardised, which would have facilitated the firing, storage and transport of the huge numbers that were made.
The work of the main producers in the style concentrated on single decorative items such as vases, jugs and bowls, rather than sets of tableware. There were a relatively large numbers of basic shapes in the plain clay body, and these were heavily decorated, typically with a great variety of glaze effects in more than one colour, many using ...