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Music that imitates or evokes the sound of the circus has also been written, often showing up in film scores, some dedicated to the subject and some not. Nino Rota is known for his circus-inspired music that was written for many of Federico Fellini ’s films, including I Clowns and 8 1/2 . [ 17 ]
"Frolic" is commonly seen as being connected to circus music. This connotation comes from the rhythms and instruments (specifically tuba and mandolin ) [ 13 ] used in the song by Michelini. [ 14 ] Additional inspiration comes from the bossa nova , which can be heard in the harmony of the song.
King played Baritone horn in many circus bands including Barnum and Bailey's, for more than a decade. [1] As is common in his compositions, Karl King made the baritone part a major voice in the march. [2] King was asked by the bandmaster of the Barnum and Bailey Circus Ned Brill to write a march for the circus. [3]
A sting is often used as accompaniment during cabaret- and circus-style shows. Sometimes the sound of the sting is written ba dum tsh, ba-dum cha, ba-dum ching, ba dum tiss and occasionally ba dum tis. In British English, boom boom is used, for example in "Ha ha ha! Boom! Boom!", the catchphrase of the children's television character, Basil ...
Most of the lyrics came from a 19th-century circus poster for Pablo Fanque's Circus Royal appearance at Rochdale. It was one of three songs from the Sgt. Pepper album that was banned from playing on the BBC, supposedly because the phrase "Henry the Horse" combined two words that were individually known as slang for heroin.
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Screamers were mostly composed in a 60-year period (1895–1955). Circuses were in need of music that would stir the audience into a frenzy, as four-footed animals galloped across the ring. Because march music was a prominent part of American music at that time, and because it carried such a quick tempo, it was this that ringmasters demanded.
Gustav Peter is the composer [3] of the widely popular piece of music Memory of Circus Renz that was published in 1894 with the original title Souvenir de Cirque Renz. [4] Its musical form is a Galop and primarily it was written for xylophone, but later adapted to various kinds of instruments. It is one of the best-known examples of circus music.