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The poem recounts a dream vision in which the speaker saw his wife return to him (as the dead Alcestis appeared to her husband Admetus), only to see her disappear again as day comes. There is considerable discussion among scholars as to which of his first two wives Milton could refer to.
Interpreting the text of the poem as a woman's lament, many of the text's central controversies bear a similarity to those around Wulf and Eadwacer.Although it is unclear whether the protagonist's tribulations proceed from relationships with multiple lovers or a single man, Stanley B. Greenfield, in his paper "The Wife's Lament Reconsidered," discredits the claim that the poem involves ...
ET has learned that Hamel, who was married to the Three's Company star for 46 years before her death, gave her an early birthday present. A handwritten love poem, wrapped in her favorite pink peonies.
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [ 1 ] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
It's incredibly difficult to know what to say to someone who is grieving, Tammy finds. This week she looks for some answers. What do you say when someone you love loses someone they love?
"My Last Duchess" is a poem by Robert Browning, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. [1] The poem is composed in 28 rhyming couplets of iambic pentameter (heroic couplet). In the first edition of Dramatic Lyrics, the poem was merely titled "Italy".
The emotional trauma of miscarriage is often overlooked when it comes to hopeful fathers, and writer Frederick Joseph wants to change that.
"The Husband's Message" is an anonymous Old English poem, 53 lines long [1] and found only on folio 123 of the Exeter Book.The poem is cast as the private address of an unknown first-person speaker to a wife, challenging the reader to discover the speaker's identity and the nature of the conversation, the mystery of which is enhanced by a burn-hole at the beginning of the poem.