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The toga was considered Rome's "national costume," privileged to Roman citizens but for day-to-day activities most Romans preferred more casual, practical and comfortable clothing; the tunic, in various forms, was the basic garment for all classes, both sexes and most occupations. It was usually made of linen, and was augmented as necessary ...
Statue of the Emperor Tiberius showing a draped toga of the 1st century AD. The toga (/ ˈ t oʊ ɡ ə /, Classical Latin: [ˈt̪ɔ.ɡa]), a distinctive garment of Ancient Rome, was a roughly semicircular cloth, between 12 and 20 feet (3.7 and 6.1 m) in length, draped over the shoulders and around the body.
Ancient Times, Roman. - 017 - Costumes of All Nations (1882). The legions of the Roman Republic and Empire had a fairly standardised dress and armour, particularly from approximately the early to mid 1st century onward, when Lorica Segmentata (segmented armour) was introduced. [1]
[5] [6] In Republican times, it was simply part of Roman female dress practice. In Augustan times, when it was used much less, the stola was taken up by Imperial cultural policy and was turned – like the vitta (plaited headband ) – into a dress insigne of married Roman women.
The garment dates to the 3rd century BC, [6] but the type of dress must be much older. [1] In Latin literature, the term palla is used ambiguously. [7] It can denote not only a cloak, but also a foot-length sleeveless dress with straps (or a brooch) worn directly on the skin. The second is a common dress form in the entire Mediterranean world.
In 53 BCE, during a period of civic violence, the consuls put aside their senatorial dress (the laticlavus) and summoned the Senate in equestrian attire (the angusticlavia). [8] Over the course of ancient Roman history, the angusticlavia lost its symbolic meaning and class association.
This category describes traditional and historic clothing worn during the Roman period. Clothing worn in Italy from the Middle Ages to the Pre-modern era should be categorised under Italian clothing .
At the same time, exposing too much flesh at dinner was offensive to Romans; funerary dining scenes in Roman art showing bare torsos have a symbolic or religious meaning. [8] The synthesis was a colorful alternative for private leisure, and wearing it in everyday public life was a faux pas.