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Leaf album painting of flowers, a butterfly, and a twisted rock sculpture, by Chen Hongshou (1598–1652). During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the ...
Another has a length of 6.7 meters, longer than the original. It also replaced the scenery from the Song dynasty to that of the Ming dynasty based on contemporary fashions and customs, updating the costumes worn by the characters and the styles of vehicles (boats and carts). The Song wooden bridge is replaced with a stone bridge in the Ming remake.
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
Wu Wei (traditional Chinese: 吳偉; simplified Chinese: 吴伟; pinyin: Wú Wěi; ca. 1459–1508) was a painter of Ming dynasty (1368–1644) China famous for his landscapes. Wu was born in Wuchang in Hubei province. [1] His style names were Shiying and Ciweng, and his sobriquets were Lufu and Xiaoxian. [2]
Emperor Xuanzong's Journey to Sichuan, a late Ming dynasty painting by Qiu Ying (1494–1552) The Ming dynasty (1368–1644) of China was known for its advanced and cultured society. The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late ...
Qiu Zhu (Chinese: 仇珠; Wade–Giles: Ch'iu Chu; fl. 1565–1585), commonly known as Miss Qiu and by her art name Duling Neishi (Chinese: 杜陵内史), was a Chinese painter during the Ming dynasty, noted for paintings with figures (rather than landscapes), including several depictions of the goddess Guanyin. [1]