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Prince Bagration (1765-1812) – Russian general, considered "The hero of heroes" by Tolstoy. He is a modest, polite, but very strong character – An accurate image of Bagration in real life. Fought the French in a rear-guard action near Schoengraben in 1805, protecting Kutuzov. Commander of an army in 1812, killed at Borodino.
Anna Karenina (Russian: Анна Каренина, IPA: [ˈanːə kɐˈrʲenʲɪnə]) [1] is a novel by the Russian author Leo Tolstoy, first published in book form in 1878.. Tolstoy called it his first true nove
Princess Maria [1] Nikolaevna Bolkonskaya (Russian: Мария Болконская, Mariya Bolkonskaia) is a fictional character in Leo Tolstoy's 1869 novel War and Peace. Princess Maria, the sister of Prince Andrei Bolkonsky , is a deeply religious young woman who has resigned herself to an unmarried life to be with her domineering father ...
Tolstoy's notes from the ninth draft of War and Peace, 1864. Tolstoy began writing War and Peace in 1863, the year that he married and settled down at his country estate. In September of that year, he wrote to Elizabeth Bers, his sister-in-law, asking if she could find any chronicles, diaries, or records from the Napoleonic period in Russia.
Countess Natalya "Natasha" Ilyinichna Rostova (/ iː lj iː ˈ n iː tʃ. n ɑː ˈ r oʊ. s t oʊ ˈ v ɑː /; Russian: Наталья "Наташа" Ильинична Ростова, named Natasha Rostov in the Rosemary Edmonds version; born 1792, according to the book) is a central fictional character in Leo Tolstoy's 1869 novel War and Peace.
Sofya Alexandrovna "Sonya" (Russian: Софья Александровна "Соня"; French: Sophie) is a character in Leo Tolstoy's 1869 novel War and Peace, and in Sergey Prokofiev's 1955 opera War and Peace and Dave Malloy's 2012 musical Natasha, Pierre & the Great Comet of 1812 based on it. She is the orphaned niece of Count and Countess ...
Princess Yelena "Hélène" Vasilyevna Kuragina (Russian: Елена "Эле́н" Васи́льевна Кура́гина) is a fictional character in Leo Tolstoy's 1869 novel War and Peace and its various cinematic adaptations.
Tolstoy never did anything more delightfully infectious in fiction than the scene of the Easter service in the village church, where the young hero and heroine, after the traditional Russian greeting "Christ is risen," exchange kisses with the carefree rapture of mingled religious exaltation and dawning affinity for each other.