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Baṛī ye (Urdu: بَڑی يے, Urdu pronunciation: [ˈbəɽiː ˈjeː]; lit. ' greater ye ') is a letter in the Urdu alphabet (and other Indo-Iranian language alphabets based on it) directly based on the alternative "returned" variant of the final form of the Arabic letter ye/yāʾ (known as yāʾ mardūda) found in the Hijazi, Kufic, Thuluth, Naskh, and Nastaliq scripts. [1]
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
Intizar Hussain was born on 21 December 1925 in Bulandshahr district, Uttar Pradesh, British India. [5] He received a degree in Urdu literature in Meerut. [7] As someone born in the Indian subcontinent who later migrated to Pakistan during 1947 Partition, a perennial theme in Hussain's works deals with the nostalgia linked with his life in the pre-partition era. [8]
Urdu was the dominant native language among Christians of Karachi and Lahore in present-day Pakistan and Madhya Pradesh, Uttar Pradesh Rajasthan in India, during the early part of the 19th and 20th century, and is still used by Christians in these places. Pakistani and Indian Christians often used the Roman script for writing Urdu.
He can "talk to himself", "to somebody else", "refer to something" etc. For example Firaq Gorakhpuri, whose takhallus is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word firaq: Urdu: تو یہ نہ سمجھنا کے فِراق تیری فِراق میں ہیں
Mohmil (Urdu: مہمل) is the name given to meaningless words in Urdu, Hindustani and other Indo-Aryan languages, used mostly for generalization purposes. The mohmil word usually directly follows (but sometimes precedes) the meaningful word that is generalized. The mohmil word usually rhymes with the meaningful word, or shares the same consonants.
The nuqta, and the phonological distinction it represents, is sometimes ignored in practice; e.g., क़िला qilā being simply spelled as किला kilā.In the text Dialect Accent Features for Establishing Speaker Identity, Manisha Kulshreshtha and Ramkumar Mathur write, "A few sounds, borrowed from the other languages like Persian and Arabic, are written with a dot (bindu or nuqtā).
More often than not, a paraphrased text can convey its meaning better than the original words. In other words, it is a copy of the text in meaning, but which is different from the original. For example, when someone tells a story they heard, in their own words, they paraphrase, with the meaning being the same. [1]