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Ich hab in Gottes Herz und Sinn (I have given over to God's heart and mind), [1] BWV 92, is a cantata by Johann Sebastian Bach for use in the Lutheran service. He composed the chorale cantata in Leipzig for Septuagesimae and first performed it on 28 January 1725.
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
Herr, gehe nicht ins Gericht mit deinem Knecht (Lord, do not pass judgment on Your servant), BWV 105 is a church cantata by Johann Sebastian Bach.He composed it in Leipzig for the ninth Sunday after Trinity and first performed it on 25 July 1723.
Gelobet seist du, Jesu Christ (Praise be to You, Jesus Christ), [1] BWV 91, is a church cantata by Johann Sebastian Bach.He wrote the Christmas cantata in Leipzig in 1724 for Christmas Day and first performed it on 25 December.
Herr Jesu Christ, wahr' Mensch und Gott (Lord Jesus Christ, true Man and God), [1] BWV 127, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in 1725 in Leipzig for the Sunday Estomihi, the Sunday before Lent.
According to musicologist Martin Elste, the most frequently recorded cantatas of Bach have been the virtuoso solo cantatas Jauchzet Gott in allen Landen, BWV 50 for soprano and obbligato trumpet, Ich habe genug, BWV 82 for bass (with alternative versions for soprano, alto or mezzo-soprano) and the so-called "Kreuzstab cantata" for solo bass or bass-baritone Ich will den Kreuzstab gerne tragen ...
Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) [1] is the title of two church cantatas by Johann Sebastian Bach.He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.
The complete recordings of Bach's cantatas are accompanied by liner notes from musicians and musicologists; Gardiner commented on his Bach Cantata Pilgrimage, Isoyama wrote for Masaaki Suzuki, and Wolff for Ton Koopman. Bischof, Walter F. (2010). "Komm, du süße Todesstunde". University of Alberta; Dellal, Pamela (2012).