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Title Year produced Year colorized Distributor and color conversion company Babes in Arms: 1939: 1993: Turner Entertainment [45] [46]: Babes in Toyland: 1934: 1991: American Film Technologies
Since the premiere of NBC Saturday Night at the Movies in September 1961, post-1948 major studio feature films gained a dominant foothold in primetime American TV and, by the mid-1960s, feature films were being broadcast by all three networks in prime time on a nearly-daily basis. Although many of those films were in black-and-white, the ones ...
The High Terrace, also known as High Terrace, is a 1956 black and white British second feature ('B') [1] mystery film directed by Henry Cass and starring Dale Robertson, Lois Maxwell, Derek Bond, Eric Pohlmann and Lionel Jeffries.
1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian [3] society.
The Miracle is a 1959 American historical fiction film directed by Irving Rapper and starring Carroll Baker and Roger Moore.It is a remake of the 1912 hand-colored, black-and-white film The Miracle, which was in turn a production of the 1911 pantomime play, The Miracle, written by Karl Vollmöller and directed by Max Reinhardt.
John Giorno shown in extreme close-up in Sleep. Sleep is a silent black-and-white film showing Giorno asleep. It is over five hours long, divided across five reels. Although the lack of action gives the illusion of continuity, the film is spliced together from many shorter shots.
Full film. Blue Steel is a 1934 American pre-Code Monogram Western film directed by Robert N. Bradbury and starring John Wayne.Wayne plays a U.S. Marshal who is trying to capture the Polka Dot Bandit, who has taken off with $4,000.
The Radio Times Guide to Films gave the film 2/5 stars, writing: "Having already been unofficially adapted by Luchino Visconti as Ossessione (1942), James M. Cain's hard-boiled novel The Postman Always Rings Twice was apparently plundered again for this bleak British B-movie. It's a solid enough study in lust, despair and avarice, with Sandra ...