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Title Director Cast Genre Notes Al-raqissa wa-l-siyasi (The Belly Dancer and the Politician) Samir Seif: Nabila Ebeid, Salah Qabeel: Drama: Hanafy Al-Obaha (Hanafy the Wonderful)
Iblis himself does not appear, but his presence is implied throughout the movie. Described by his devilish followers, he is the master of the "World of Fire". On the other hand, the exorcist (representing God) describes Iblis imprisoned in the lowest pit of hell. [106] The movie implies Sufistic metaphysics by asserting that "God is everywhere".
Devil in My Ride; The Devil Inside; The Devil's Advocate; The Devil's Carnival; The Devil's Carnival: Alleluia! The Devil's Nightmare; The Devil's Rock; Dante's Inferno (1924) Dante's Inferno: An Animated Epic [9] Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train; The Devil and Daniel Webster; The Devil and Max Devlin; Devil's Den; Doctor ...
The Devil and Daniel Mouse; The Devil and Daniel Webster (film) The Devil and Max Devlin; The Devil in a Convent; Devil in My Ride; The Devil Rides Out (film) The Devil with Hitler; The Devil's Advocate (1997 film) The Devil's Carnival; Devil's Feud Cake; The Devil's Child; The Devil's Messenger; The Devil's Nightmare; Devour (film) The Devil ...
The Sin (Arabic: الحرام, translit. Al Haram listen ⓘ) is a classical 1965 Egyptian drama film directed by Henry Barakat. The film stars Faten Hamama, Zaki Rostom, and Abdullah Gaith and is based on a novel by the same title by Yūsuf Idrīs. The film was nominated for the Prix International award at the 1965 Cannes Film Festival. [1]
The Arabic equivalent of the word Satan is Shaitan (شيطان, from the triliteral root š-ṭ-n شطن). The word itself is an adjective (meaning "astray" or "distant", sometimes translated as "devil") that can be applied to both man ("al-ins", الإنس) and al-jinn (الجن), but
A Satanic film is a subgenre of horror film, and at times other film genres, that involves the Devil as a concept or a character. Common themes/characters in Satanic film include the Antichrist , demonic possession , exorcism , and witchcraft .
Ronan Doyle at Indiewire also panned the film, "From its very first frame, expounding exposition over a shoddily-shot desert sequence, this is an unmitigated disaster of a movie, every bit as horrible as the events it attempts to portray." Doyle wrote the film was a disappointment "tonally as well as technically".