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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
The Herald Angels Sing" written by Charles Wesley. [12] Wesley had originally envisioned the words being sung to the same tune as his Easter hymn "Christ the Lord Is Risen Today". [13] "Hark! The Herald Angels Sing" was regarded as one of the Great Four Anglican Hymns and published as number 403 in The Church Hymn Book (New York and Chicago ...
These songs are Mary's Magnificat; Zechariah's Benedictus (1:67–79); the angels' Gloria in Excelsis Deo (2:13–14); and Simeon's Nunc dimittis (2:28–32). In form and content, these four canticles are patterned on the "hymns of praise" in Israel's Psalter. In structure, these songs reflect the compositions of pre-Christian contemporary ...
Some hymns to Mary are also included in the Evangelical Lutheran Worship hymnal, e.g. hymn number 251 is "My Soul Proclaims Your Greatness", which is based on the Magnificat and hymn 419 is "For All the Faithful Women" in which the first stanza includes: "We honor faithful Mary, fair maiden, full of grace". [24]
The Hyde version of the hymn specifically, which is more commonplace than its counterpart, has been used in at least three hymnals, [6] [7] and was the version used in a cover of the hymn by the Catholic religious sisters congregation, the Daughters of Mary, Mother of Our Savior, for their likewise-named 1998 album "Mary of Graces". [8] [9]
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The strophe of "Sacris solemniis" that begins with the words Panis angelicus ("bread of angels") has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp , cello , and organ , and incorporated it into his Messe à trois voix .