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The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. [6] Recommended at an early age by his cousin Luca Signorelli, he became a pupil of Guglielmo da Marsiglia, a skillful painter of stained glass.
The Last Judgment in the Cattedrale di Santa Maria del Fiore, in Florence, Italy is a fresco painting which was begun by the Italian Renaissance master Giorgio Vasari in 1572 and completed after his death by Federico Zuccari, in 1579.
Giorgio Vasari's opinions about the art of painting emerge in the praise he bestows on fellow artists in his multi-volume Lives of the Artists: he believed that excellence in painting demanded refinement, richness of invention (invenzione), expressed through virtuoso technique (maniera), and wit and study that appeared in the finished work, all ...
Some art historians believe they were gathered to illustrate Vasari's Lives directly, as a visual index of the artists' works, whilst others believe it was a separate document in its own right. In his preface to the Lives, Vasari described his reasons for writing: When I took on the task of writing about the life of the great artists ...
Giorgio Vasari argued that drawing is the father of all arts, and as such, the most important one. [7] Sculpture was typically claimed to be the only method of having several different and faithful views of the same figure by those who found it to be the more superior medium. [ 6 ]
It is believed that his pupil Giovanni d'Asciano assisted him on the frescoes and finished the left-over portions after Barna reportedly fell from a scaffolding and died supposedly at a young age. It is suggested, based on the works of biographer Giorgio Vasari, that the master working in the Collegiata di San Gimignano was named Bernardo Bertini.
Pope Paul III (Farnese) Names Cardinals and Distributes Benefices. In the Sala dei Cento Giorni, Vasari and his assistants work in an elaborate and fanciful manner.The narrative unfolds within an unusual illusionist space flooded with allegoric ornamentation and further by numerous figures in painted architecture surrounded by simulated sculpture.