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Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. [1]
For instance, it was performed as Le nozze di Dorina, with inserted arias by Giovanni Battista Viotti, for the opening of the Théâtre de Monsieur in Paris on 6 January 1791. [ 3 ] [ 4 ] The work also used music composed by Pasquale Anfossi , Antonio Salieri , and Stephen Storace in addition to the composer himself.
Don Giovanni, o sia Il convitato di pietra, [1] (English: Don Giovanni, or The Stone Guest) also known as Don Giovanni Tenorio [2] is a one-act opera (dramma giocoso) by the Italian composer Giuseppe Gazzaniga.
Libretto: 1787 Don Giovanni [ag] Dramma giocoso 2 acts Italian Da Ponte, based on Giovanni Bertati's Don Giovanni Tenorio: 3 soprano, 1 tenor, 1 baritone, 3 bass, chorus 29 October 1787 [ah] Estates Theatre, [ai] Prague K.527 Score Libretto: 1789–90 Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian ...
The opera was the first of three collaborations between Mozart and Da Ponte, followed by Don Giovanni and Così fan tutte. It was Mozart who originally selected Beaumarchais's play and brought it to Da Ponte, who turned it into a libretto in six weeks, rewriting it in poetic Italian and removing all of the original's political references.
The vocal range for Don Giovanni covers E 3 to E 4, Zerlina's range covers E 4 to F ♯ 5. The piece is labelled a "duettino", a "little duet". The piece is labelled a "duettino", a "little duet". This may be because the two roles sing only as a duet towards the very end of the piece, after Zerlina's assenting Andiam! .
The clearest antecedent of the catalogue aria of Mozart and librettist Lorenzo Da Ponte can be found in the 1787 opera, Don Giovanni Tenorio, with which they were both familiar, composed by Giuseppe Gazzaniga on a libretto by Giovanni Bertati. Da Ponte based much of his libretto on Bertati's, heavily revised for content and language but ...