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Note: "My Brother Esau" (written by Weir and Barlow), the B-side of the "Touch of Grey" single, was omitted from the LP and CD releases of In the Dark, but was included on the cassette as the fourth track, as well as the 2004 reissue as the eighth track.
The song reached the top 10 on the Billboard Hot 100 chart, peaking at number 9, [2] and reached number 1 on the Mainstream Rock Tracks chart, the only song by the band ever to do so on both charts. [3] It was released as a single with "My Brother Esau" and later "Throwing Stones", and has appeared on a number of albums and collections. [4]
One of these is "My Brother Esau", the first appearance of this song on an album in CD format. The studio version had been the B-side of the "Touch of Grey" single in 1987, appeared on the cassette version of the In the Dark album, and was later released on the Beyond Description box set (it was then appended to the 2004 reissue of In the Dark ).
Grateful Dead stars Bill Kreutzmann and Bob Weir have praised their former bandmate and “brother” Phil Lesh for changing their lives. The bassist, who was a founding member of the US rock band ...
The album also includes six songs from a show at the same venue on October 3, 1987. One of these is "My Brother Esau", the first appearance of this song on CD. The fourth volume contains two consecutive complete shows—July 24, 1987, at Oakland Stadium, and July 26, 1987 at Anaheim Stadium. The album was released as a 4-CD set.
The Music Never Stopped: Roots of the Grateful Dead is a 1995 compilation album of songs, performed by the original artists, that the American rock group the Grateful Dead covered and performed live throughout their career.
While the four or five main keyboardists brought their own signatures (particularly Pigpen, whose rough-hewn growl provided a gritty counterpart to the band's spacy early explorations), come 1971, the year after the twin masterpieces of Workingman's Dead and American Beauty, the Dead maintained a groove more psychedelic in spirit than sound ...
Grateful Dead Records' distribution partner United Artists Records had greater involvement in the rights and publication for this album than previously (e.g. releasing the album in foreign markets on the United Artists (UA) label). This was an attempt to combat counterfeiting and because UA was helping fund the completion of The Grateful Dead ...