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In music, Op. 1 stands for Opus number 1. Compositions that are assigned this number include: Bach – Partitas for keyboard; Bartók – Rhapsody; Beethoven – Piano Trios, Op. 1; Berg – Piano Sonata; Brahms – Piano Sonata No. 1; Chopin – Rondo in C minor; Clara Schumann – 4 Polonaises; Clifford – Symphony in E-flat
Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]
Instead, he developed the "Fantastic Scherzo" into the Scherzo for piano and orchestra, which kept the projected quintet's op. 7 assignation, while the remaining music was repurposed in the Piano Trio No. 1. [1] He also composed music for piano with string quartet in his score to the 1936 film, Girlfriends. [3] [1]
Although he wrote mostly instrumental music, Suk occasionally branched out into other genres. Orchestral music was his strong suit, notably the Serenade for Strings, Op. 6 (1892). [4] His time with the Czech Quartet, though performing successful concerts until his retirement, [4] was not always met with public approval. Several anti-Dvořák ...
For Piano, No. 1, in C major; Op. 3, 3 sets of Variations for piano (London, 1794) 1. A Rondo of Pleyel in C major; 2. The Lass of Richmond Hill in G major (Opus 2–1) 3. Wenn's Immer So War in G major; Op. 3a, Trio for Violin, Violoncello, and Piano, No. 1, in B♭ major (1792). Not described as a trio by the composer, and not included in ...
Felix Mendelssohn's Piano Quartet No. 1 in C minor, Op. 1 (MWV Q 11), for piano, violin, viola and cello was completed on 18 October 1822 and dedicated to Polish Prince Antoni Radziwiłł. Mendelssohn's three numbered piano quartets were the first works of his to be published, hence their opus numbers. The piece was published in 1823, when ...
vocal adaptation of Adagio for Strings, Op. 11a Choral: 1938: God's Grandeur: for double mixed chorus a cappella: text by Gerard Manley Hopkins: Choral: 1938: Sure on This Shining Night: for mixed chorus and piano: choral adaptation the song from Op. 13; words by James Agee: Choral: 15: 1940: A Stopwatch and an Ordnance Map: for male chorus ...