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Examples of mathematical ideas used in the book as the basis of a quilt include the golden rectangle, conic sections, Leonardo da Vinci's Claw, the Koch curve, the Clifford torus, San Gaku, Mascheroni's cardioid, Pythagorean triples, spidrons, and the six trigonometric functions.
The fundamental region is a shape such as a rectangle that is repeated to form the tessellation. [22] For example, a regular tessellation of the plane with squares has a meeting of four squares at every vertex. [18] The sides of the polygons are not necessarily identical to the edges of the tiles.
The duotone pattern is characterized by a tessellation of light and dark solid checks alternating with light-and-dark diagonally-striped checks—similar in pattern to gingham plaid but with diagonally-striped squares in place of gingham's blended-tone squares. Traditionally, houndstooth uses black and white, although other contrasting colour ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. A uniform tessellation may be: A uniform tiling in two ...
An example of a motif is the granny square. Motifs may be varied or rotated for contrast and variety, or to create new shapes, as with quilt blocks in quilts and quilting. Contrast with motif-less crazy quilting. Motifs can be any size, but usually all the motifs in any given work are the same size.
Textile design, also known as textile geometry, is the creative and technical process by which thread or yarn fibers are interlaced to form a piece of cloth or fabric, which is subsequently printed upon or otherwise adorned. [1]
In geometry, the demiregular tilings are a set of Euclidean tessellations made from 2 or more regular polygon faces. Different authors have listed different sets of tilings. A more systematic approach looking at symmetry orbits are the 2-uniform tilings of which there are 20. Some of the demiregular ones are actually 3-uniform tilings.
When the first colour was finished, the finished fabric was set aside to dry. If more than one colour was used, once the fabric was dry, a block with the next colour would be inked and carefully impressed over the image left by the first. The same process and the same blocks could be used for making both fabrics and wallpaper.