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The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone ...
The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three- octave range.
The Koch Chromatic and Slide Harp [9] are both designed in the same fashion as chromatic harmonicas, but possess the Richter tuning found in typical 10-hole diatonic harmonicas. Like the Educator 10, both are also 10-hole and built on a pearwood comb. The Slide Harp has been discontinued. The 64 Chromonica is a four-full-octave harmonica in the ...
While the Richter-tuned 10-hole chromatic is intended to play in only one key, the 12-, 14-, and 16-hole models (which are tuned to equal temperament) allow the musician to play in any key desired with only one harmonica. This harp can be used for any style, including Celtic, classical, jazz, or blues (commonly in third position).
Nearly all harmonica concertos are composed for the chromatic harmonica. One of the few exceptions is the 2001 concerto for the 10-hole harmonica by Howard Levy. The American classical and jazz harmonica soloist Larry Adler (1914-2001), for whom many composers wrote harmonica concertos. Such works include:
After the J. Geils Band dissolved in 1985, Salwitz spent time working on a harmonica design of his own, the "Magic Harmonica", for which he received a patent with co-inventor Pierre Beauregard. [ 4 ] [ 8 ] Beauregard was the director of the Cambridge Harmonica Orchestra , of which Salwitz was also a member.