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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Dorsey and Martin established a publishing company called Dorsey House of Music, the first black-owned gospel publishing house in the U.S. [18] [19] His sheet music sold so well, according to Heilbut, it supplanted the first book of compiled songs for black churches, W. M. Nix's Gospel Pearls, and the family Bible in black households. [20]
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
Black composer and musician Thomas A. Dorsey, became a highly influential figure in Black gospel music beginning in the 1920s and 1930s. He earned the title of the “Father of Gospel Music” for ...
People Get Ready: A New History of Black Gospel Music. Continuum International Publishing Group, 2005, ISBN 0-8264-1752-3. Downey, James C. The Gospel Hymn 1875–1930. University of Southern Mississippi, MA, [clarification needed] 1963. Eskew, Harry. "Gospel Music, I" in The New Grove Dictionary of Music and Musicians (1980), VII, 549–554.
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]