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Jewish partisans' anthem in the Jewish partisans' memorial in Giv'ataym, Israel Jewish partisans' anthem in the Jewish partisans' memorial in Bat-Yam "Zog nit keyn mol" (Never Say; Yiddish: זאָג ניט קיין מאָל, [zɔg nit kɛjn mɔl]) sometimes "Zog nit keynmol" or "Partizaner lid" [Partisan Song]) is a Yiddish song considered one of the chief anthems of Holocaust survivors and is ...
The music was called "a classic that would fit the best Viennese operetta, and a pearl of the Jewish scene." Ikh hob dikh tsu fil lib was praised for its freshness of form and novelty, and Luba Kadison's performance was praised for "taste and restraint, clearly absent in other productions of the Theater on Second Avenue."
Oy vey (Yiddish: אױ װײ) is a Yiddish phrase expressing dismay or exasperation. Also spelled oy vay, oy veh, or oi vey, and often abbreviated to oy, the expression may be translated as "oh, woe!" or "woe is me!" Its Hebrew equivalent is oy vavoy (אוי ואבוי, ój va'avój).
Oyfn Pripetshik" (Yiddish: אויפן פריפעטשיק, also spelled "Oyfn Pripetchik", "Oyfn Pripetchek", etc.; [note 1] English: "On the Hearth") [1] is a Yiddish song by M.M. Warshawsky (1848–1907). The song is about a melamed teaching his young students the Hebrew alphabet.
"Dona Dona", popularly known as "Donna, Donna", is a song about a calf being led to slaughter, written by Sholom Secunda and Aaron Zeitlin.Originally a Yiddish language song "Dana Dana" (in Yiddish דאַנאַ דאַנאַ), also known as "Dos Kelbl" (in Yiddish דאָס קעלבל, meaning The Calf), it was a song used in a Yiddish play produced by Zeitlin.
The metal version of the song [7] is included in the first Metal Yiddish album AlefBase by Gevolt, released in March 2011; A pastiche of the song is used in the play The Hamlet of Stepney Green: A Sad Comedy with Some Songs by Bernard Kops. The song is included in the album Homenatge a Xesco Boix, a tribute to Xesco Boix . The latter used to ...
'In Every Street') is a Yiddish-language anti-authoritarian protest song. The modern commonly known & recorded version of the song is actually a combination of two different protest songs from the late 19th and early 20th century Russian Empire; Hey Hey Daloy Politsey and In Ale Gasn respectively.
She also studied Chassidic music, Yiddish folk songs, and Jewish songs in different languages. [5] Her interest in Jewish culture was sparked by an interfaith visit to Auschwitz. [1] Her musical projects include Jewish Polesye, [6] Li-La-Lo (based on the Yiddish-language cabarets of Poland called kleynkunst and Tel Aviv [7]), and Jewish Tango. [5]