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During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Billboard number-one singles charts preceding the Billboard Hot 100 were updated weekly by Billboard magazine and the leading indicator of popular music for the American music industry since 1940 and until the Billboard Hot 100 chart was established in 1958.
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
Jay & The Americans; The Ames Brothers [1]; The Andrews Sisters; Dave Appell & the Applejacks; Harold Melvin & the Blue Notes; The Bell Notes; Bill Haley & His Comets
Music! Music!" Teresa Brewer with the Dixieland All Stars (Jack Pleis, Ernie Caceres, Max Kaminsky, Cutty Cutshall, George Wettling, Eddie Safranski, and Danny Perri) [14] March 25 "If I Knew You Were Comin' I'd've Baked a Cake" Eileen Barton with Orchestra and Chorus under the direction of Morty Craft "Music! Music! Music!" [15] April 1 [16 ...
"Play a Simple Melody" 6 "Music, Music, Music" Teresa Brewer: 7 "Third Man Theme" Guy Lombardo: 8 "Chattanoogie Shoe Shine Boy" Red Foley: 9 "Harbor Lights" Sammy Kaye: 10 "It Isn't Fair" Sammy Kaye & Don Cornell: 11 "If I Knew You Were Coming I'd have Baked a Cake" Eileen Barton with Morty Craft: 12 "Bonaparte's Retreat" Kay Starr with Lou ...
"Music, Maestro, Please" – Frankie Laine "Music! Music! Music!" – Teresa Brewer "My Foolish Heart, recorded by Billy Eckstine; Gordon Jenkins "My Heart Cries For You" – Guy Mitchell "Nevertheless" – The Mills Brothers "No Other Love" – Jo Stafford "The Old Piano Roll Blues" Al Jolson & The Andrews Sisters "Patricia" – Perry Como
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...