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The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
Calligraffiti artist, Tubs, explains that the art form's graffiti component forces the artist to reflect upon and consciously create a piece that will arouse a specific feeling or reaction in the viewer. [16] However, the use of the alphabet as an artistic medium [17] demands practice, accuracy, and foresight.
A piece using the letters EKOM. Pieces, short for masterpieces, are a form of graffiti that involves large, elaborate and detailed letter forms. They are one of the main forms of modern graffiti, along with tags and throw ups, and are the least controversial of the three [1] and least likely to be seen as vandalism.
The concept of having unique and expressive handstyles developed slowly. When graffiti first started in the '70s, a tag's style was the writer's personal handwriting. [3] In the New York and Philadelphia in the mid '70s, different writers and crews started stylizing and personalizing their tags. Over time, the concept of a handstyle emerged ...
Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.
Robert Del Naja (Bristol) (also known as 3D) – graffiti, street art, album covers; Guy Denning (born Bristol) – stencil graffiti, paste-up, painting; Ben Eine – street art, alphabet letters; Inkie (Bristol and London) – graffiti, street art, grap design; Paul Insect (London) – graffiti, stencil graffiti, street art
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Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE