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Gunga Din is a 1939 American adventure film from RKO Radio Pictures directed by George Stevens and starring Cary Grant, Victor McLaglen, and Douglas Fairbanks Jr., loosely based on the 1890 poem of the same name by Rudyard Kipling combined with elements of his 1888 short story collection Soldiers Three.
Ali Mirdrekvandi [2] (also called Gunga Din [3]), (Persian: علی میردریکوندی) is an Iranian author, known for authoring No Heaven for Gunga Din, a fable, and Noorafkan (trans. Irradiant), a popular epic, both written in broken English in the mid-20th century. [4]
Gunga Din" (/ ˌ ɡ ʌ ŋ ɡ ə ˈ d iː n /) is an 1890 poem by Rudyard Kipling set in British India. The poem was published alongside "Mandalay" and "Danny Deever" in the collection "Barrack-Room Ballads". The poem is much remembered for its final line "You're a better man than I am, Gunga Din". [1]
Directed by John Sturges, written by W. R. Burnett and produced by Frank Sinatra, the film is a remake of Gunga Din with Sinatra in the Victor McLaglen role, Martin in the Cary Grant part, Lawford replacing Douglas Fairbanks, Jr. and Davis in Sam Jaffe's role. Parts of the film were shot in Johnson Canyon, Paria, Kanab and Bryce Canyon in Utah.
Douglas Elton Fairbanks Jr. (December 9, 1909 – May 7, 2000) was an American actor, producer, and decorated naval officer of World War II.He is best-known for starring in such films as The Prisoner of Zenda (1937), Gunga Din (1939), and The Corsican Brothers (1941).
The title Temple of Gold was taken from the film Gunga Din. [2] Another influence on the book was the novel Bonjour Tristesse. [3] Goldman had recently done military service and met a man who had an agent. He sent the novel to the agent, and through him got representation from Joe McCrindle. McCrindle sent it to Knopf, who accepted it for ...
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Joseph H. August, A.S.C. (26 April 1890 – 25 September 1947) was an American cinematographer and co-founder of the American Society of Cinematographers.. His films included Gunga Din (1939) for which he was nominated for Academy Award for Best Cinematography, The Hunchback of Notre Dame (1939), The Devil and Daniel Webster (1941), and Portrait of Jennie (1948).