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Members of the Imperial family on formal occasions, geisha, maiko, and sumo wrestlers wear variations on common traditional accessories that are not found in everyday dress, such as certain types of kimono. As an extension of this, many practitioners of Japanese traditional dance wear similar kimono and accessories to geisha and maiko.
Geisha wear kimono more subdued in pattern and colour than both regular women's kimono, and the kimono worn by apprentice geisha. Geisha always wear short-sleeved kimono, even if they are technically still young enough to wear furisode, as the wearing of furisode-style sleeves is considered a marker of apprenticeship.
New Year – At this time of year all maiko and geisha wear un-husked ears of rice in their hairstyles (maiko wear it on the right while geisha wear it on the left). These kanzashi also feature eyeless white doves. The maiko and geisha fill in one eye and ask somebody they like to draw the other for good luck in the coming year.
The traditional colors of Japan trace their historical origins to the Twelve Level Cap and Rank System which was established in 603 by Prince Shōtoku and based on the five Chinese elements. In this system, rank and social hierarchy were displayed and determined by certain colors.
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi (白粉) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-.
Geisha katsura are styled to suit each individual's face, meaning that no two geisha katsura appear alike, whereas bridal shimada are typically rented and pre-styled, leading to less variation than is seen in the katsura geisha wear. The style of shimada worn by older geisha to special events is known as the tsubushi shimada (潰し島田, lit.
Mineko Iwasaki, former high-ranking Gion geisha, detailed her experience of mizuage in her autobiography, Geisha, a Life.Describing her experience of graduation to geishahood with the term mizuage, Iwasaki described her experience as a round of formal visits to announce her graduation, including the presentation of gifts to related geisha houses and important patrons, and a cycle through five ...
Reference chart of jūnihitoe colour schemes (note: incomplete with some translation errors, but includes uwagi and karaginu colours) Reference chart of jūnihitoe colour schemes (note: complete, but written in Japanese characters and without uwagi/karaginu colour information) How a jūnihitoe is put on (thumbnail list links) Glossary