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Harmony is the seventh album by American rock band Three Dog Night, released in 1971 (see 1971 in music). The album featured two Top 10 hits: " An Old Fashioned Love Song " (U.S. #4) [ 4 ] and a cover version of Hoyt Axton 's " Never Been to Spain " (U.S. #5).
"An Old Fashioned Love Song" is a 1971 song written by Paul Williams and performed by the American pop-rock band Three Dog Night. Chuck Negron performed the lead vocal on this track. Taken as the first single from their 1971 album, Harmony , the song peaked at number 4 on the Billboard Hot 100 chart in December 1971, becoming the band's seventh ...
Barbershop quartets, such as this US Navy group, sing 4-part pieces, made up of a melody line (normally the lead) and 3 harmony parts. In music, harmony is the concept of combining different sounds together in order to create new, distinct musical ideas. [1]
A remixed version of the song, with the instrumentation removed so as to highlight the three-part harmony by Lennon, McCartney and Harrison, was released on 1996's Anthology 3 and as an a cappella on 2006's Love.
Vocal harmonies have been an important part of Western art music since the Renaissance-era introduction of Mass melodies harmonized in sweet thirds and sixths. With the rise of the Lutheran church's chorale hymn singing style, congregations sang hymns arranged with four or five-part vocal harmony. In the Romantic era of music during the 1800s ...
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Its origins are varied, including 4-part hymn singing, shape note singing, barbershop quartets, jubilee songs, spirituals, and other Gospel songs. Gospel quartets sing in four-part harmony , with parts given to a tenor , or highest part; lead, which usually takes the melody ; baritone , which blends the sounds and adds richness; and the bass ...
The part song was created in Great Britain, growing out of the madrigal tradition (though initially with more emphasis on homophonic harmony and less on polyphonic part writing) and the 18th century Glee. [3] Paul Hillier describes the Glee as "a uniquely English creation...the convivial music of all-male musical societies".