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Horse racing became a popular pastime in 19th century France under Louis-Philippe and Napoleon III. Degas began admiring horses while visiting friends in Normandy. Over the course of his career it is reported that he created 45 oils, 20 pastels, 250 drawings, and 17 sculptures related to horses. Degas was eager to know horses in anatomical ...
At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
Edgar Degas, Before the Race, 1882–1884, oil on panel, The Walters Art Museum, Baltimore Eadweard Muybridge's Animal Locomotion features an animated sequence of a race horse galloping, using photos published in 1887. Thoroughbred racing was an inspiration for Romantic and Impressionist artists of the 19th century.
Zapata (1932) is a lithograph by the Mexican artist Diego Rivera (1886–1957) that depicts the Mexican revolutionary Emiliano Zapata (1879–1919) as he holds the reins of a horse among a group of campesinos (peasants).
The Jockey of Artemision is a large Hellenistic bronze statue of a young boy riding a horse, dated to around 150–140 BC. [1] [2] It is a rare surviving original bronze statue from Ancient Greece and a rare example in Greek sculpture of a racehorse. Most ancient bronzes were melted down for their raw materials some time after creation, but ...
Lexington (March 17, 1850 – July 1, 1875) was a United States Thoroughbred race horse who won six of his seven race starts. Perhaps his greatest fame, however, came as the most successful sire of the second half of the nineteenth century; he was the leading sire in North America 16 times, and broodmare sire of many notable racehorses.
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
The Nemzeti Dij and Hazafi Dij were recognized as the Hungarian equivalent of 2000 Guineas and 1000 Guineas respectively, but were restricted races at that time to Hungarian-bred horses. In the Nemzeti dij on 6 May, Camillo set the pace, followed by Kincsem and Csalogany. At the halfway point, Kincsem moved to the front, and continued to draw away.