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Since the 1950s, sacred and liturgical music has been performed and recorded by many jazz composers and musicians, [4] [1] combining black gospel music and jazz to produce "sacred jazz", similar in religious intent, but differing in gospel's lack of extended instrumental passages, instrumental improvisation, hymn-like structure, and concern ...
Instrumental New Orleans jazz version by Bunk Johnson " Just a Closer Walk with Thee " is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New ...
"The Connick on Piano series will be purely instrumental, with all kinds of configurations: solo, big band, quartet, trio", Connick explains. The twelve Connick compositions on Other Hours was originally made for the 2001 musical Thou Shalt Not , which was the recipient of a Tony nomination for Best Original Musical Score (music & lyrics by ...
Metaphorical Music is the debut studio album by Japanese musician Nujabes.Released in 2003, it offers a combination of hip hop and instrumental jazz, and features artists like Shing02, Substantial, Five Deez and Cise Starr (of CYNE).
In 1962 it was awarded as Best Instrumental Theme or Instrumental Version of Song; From 1963 to 1964 and from 1967 to 1970 it was awarded as Best Instrumental Theme; In 1965 it was awarded as Best Instrumental Composition (other than jazz) From 1971 to the present it has been awarded as Best Instrumental Composition
Most jazz singers use a rhythm section (piano, bass, drums, and guitar) and sometimes vocal percussion. [6] Vocal jazz ensembles consist of multiple voices alongside instrumental accompaniment. Vocal jazz repertoire typically includes music from the Great American Songbook. Popular music arrangements are often made for vocal jazz ensembles.
The song's driving rhythm, basically the first bar of a 3 2 clave, came to have widespread use in jazz comping and musicians still reference it by name. [4] Harmonically, the song features a five-chord ragtime progression (I-III7-VI7-II7-V7-I). [5] Recordings of The Charleston from 1923 entered the public domain in the United States in 2024. [6]
The instrumental featured a clarinet solo by Jimmy Dorsey with chimes at the beginning and end of the song. The personnel on the recording: George Thow, Charlie Spivak, trumpet, Tommy Dorsey, Joe Yukl, trombone, Don Mattison, tb, Jimmy Dorsey, clarinet, alto sax, Jack Stacey, alto sax, Skeets Herfurt, tenor sax, Bobby van Eps, piano, Roc ...