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Orfeo ed Euridice: Scores at the International Music Score Library Project; Orfeo ed Euridice, azione teatrale per musica, Gluck's 1762 Italian version in Parisian 18th-century manuscript copies at the BNF's Gallica website: full score (BnF ms D-9215, 1764 or later), originally from the Intendance des Menus-Plaisirs
Paride ed Elena: dramma per musica: 5 acts: Calzabigi: 3 November 1770: Vienna, Burgtheater: Iphigénie en Aulide: tragédie: 3 acts: François-Louis Gand Le Bland Du Roullet, after Jean Racine: 19 April 1774: Paris, Opéra (Palais-Royal) score: Orphée et Eurydice (French version of Orfeo ed Euridice) tragédie-opéra: 3 acts: Pierre-Louis ...
Orfeo (Early version of Orfeo ed Euridice) – Philémon et Baucis, Opéra-Ballet; Wq.39 – Paride ed Elena (1770) – Die unvermuthete Zusammenkunft (1772), German Version of La rencontre imprévue, Wq.32 (1764) Wq.40 – Iphigénie en Aulide (1774) Wq.41 – Orphée et Eurydice (1774), French Version of Orfeo ed Euridice, Wq.30 (1762)
Title page of the original full score of Gluck's 1762 opera Orfeo ed Euridice (Duchesne, Paris, 1764). [The original image has been cropped and lightened. Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer.
On 5 October 1762, Orfeo ed Euridice was given its first performance, on a libretto by Calzabigi, set to music by Gluck. Gluck tried to achieve a noble, Neo-Classical or "beautiful simplicity". The dances were arranged by Angiolini and the title role was taken by Guadagni, a catalytic force in Gluck's reform, renowned for his unorthodox acting ...
Terracotta bust of C.W. Gluck by Jean-Antoine Houdon. The following discography for Gluck's opera Orfeo ed Euridice is mainly based on the research of Giuseppe Rossi, which appeared in the programme notes to the performance of the work at the 70th Maggio Musicale Fiorentino in 2007, under the title "Discografia – Christoph Willibald Gluck – Orfeo ed Euridice (Orphée et Eurydice)".
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1762 – Christoph Willibald Gluck – Orfeo ed Euridice (French version, Orphée et Euridice, 1774) 1767 – François-Hippolyte Barthélémon – The Burletta of Orpheus; 1775 – Antonio Tozzi – Orfeo ed Euridice; 1776 – Ferdinando Bertoni – Orfeo ed Euridice (to the same libretto as Gluck's more famous work) 1781 – Luigi Torelli ...