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The best known farce is La Farce de maître Pathelin (The Farce of Master Pathelin) from c. 1460. [3] Spoof films such as Spaceballs, a comedy based on the Star Wars movies, are farces. [4] Sir George Grove opined that the "farce" began as a canticle in the common French tongue intermixed with Latin. It became a vehicle for satire and fun, and ...
Richard Wagner's Bayreuth Festival Theatre.. A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas ...
A modern melodrama is a dramatic work in which plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". [1] Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than on action.
However, farce did not appear independently in England until the 16th century with the work of John Heywood (1497–1580). A significant forerunner of the development of Elizabethan drama was the Chambers of Rhetoric in the Low Countries d Henry VII both maintained small companies of professional actors.
Melodrama: As devised by early Greek dramatists, these styles rely on stock characters and stereotypes to portray stories in an exaggerated way, either tragic or comic. Links to commedia dell'arte . Theater of Cruelty : As developed by Antonin Artaud, a style that encourages the shock and horror of the audience, through the excessive use of ...
In England, The Second Shepherds' Play of the Wakefield Cycle is the best known early farce. However, farce did not appear independently in England until the 16th century with the work of John Heywood (1497–1580). A significant forerunner of the development of Elizabethan drama was the Chambers of Rhetoric in the Low Countries. [42]
The origins of farce and comic theatre remain equally controversial; some −literary historians believe in a non-liturgical origin (among "jongleurs" or in pagan and folk festivals), others see the influence of liturgical drama (some of the dramas listed above include farcical sequences) and monastic readings of Plautus and Latin comic theatre.
Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example).