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Scheherazade (/ ʃ ə ˌ h ɛr ə ˈ z ɑː d,-d ə /) [1] is a major character and the storyteller in the frame narrative of the Middle Eastern collection of tales known as the One Thousand and One Nights.
Scheherazade in the palace of her husband, Shahryar. Scheherazade or Shahrazad (Persian: شهرزاد, Šahrzād, or شهرزاد, Šahrāzād, lit. ' child of the city ') [1] [2] is the legendary Persian queen who is the storyteller and narrator of The Nights. She is the daughter of the kingdom's vizier and the elder sister of Dunyazad.
In most of Scheherazade's narrations there are also stories narrated, and even in some of these, there are some other stories. [77] This is particularly the case for the "Sinbad the Sailor" story narrated by Scheherazade in the One Thousand and One Nights. Within the "Sinbad the Sailor" story itself, the protagonist Sinbad the Sailor narrates ...
"The Thousand-and-Second Tale of Scheherazade" is a short-story by American author Edgar Allan Poe (1809–1849). It was published in the February 1845 issue of Godey's Lady's Book and was intended as a partly humorous sequel to the celebrated collection of Middle Eastern tales One Thousand and One Nights .
The stories display the folk and themes present in works of that time. The Abbasid reign was known as a period of great economic and social growth. Arab and Muslim traders would seek new trading routes and people to trade with. This process of growth is reflected in the Sinbad tales. The Sinbad stories take on a variety of different themes.
Within the system of what is now called "Roman religion (in the modern sense of the word), the term religio originally meant an obligation to the gods, something expected by them from human beings or a matter of particular care or concern as related to the gods, [16] "reverence for God or the gods, careful pondering of divine things, piety".
I meet Sheherazaad in a room within the Brooklyn Conservatory of Music that feels like a dollhouse. The steeply slanted roof makes the space seem small; the chairs are just a foot above the ground ...
The exoticism of the Arabian Nights continued to interest Ravel. In the early years of the 20th century he met the poet Tristan Klingsor, [6] who had recently published a collection of free-verse poems under the title Shéhérazade, inspired by Rimsky-Korsakov's symphonic suite of the same name, a work that Ravel also much admired. [7]