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The Mufaddaliyyat (Arabic: المفضليات / ALA-LC: al-Mufaḍḍaliyāt), meaning "The Examination of al-Mufaḍḍal", is an anthology of pre-Islamic Arabic poems deriving its name from its author, Mufaḍḍal al-Ḍabbī, [1] [2] who compiled it between 762 and his death in 784 CE. [3]
Rāyāt al-mubarrizīn wa-ghāyāt al-mumayyazīn (Arabic: رايات المبرزين وغايات المميزين, Banners of the Champions and the Standards of the Distinguished, also translated as Pennants of the Champions) is a thirteenth-century anthology of Andalusī poetry by Ibn Said al-Maghribi. [1]
The Aṣmaʿiyyāt (Arabic: الأصمعيات) is a well-known [1] early anthology of Arabic poetry by Al-Asma'i.The collection is considered one of the primary sources for pre-Islamic Arabic poetry along with the Jamharat Ash'ar al-Arab, Hamasah, Mu'allaqat and Mufaddaliyat.
Poetry analysis was also employed in other forms of medieval Arabic poetry from the 9th century, notably, for the first time, by the Kufan grammarian Tha'lab (d. 904) in his collection of terms with examples Qawa'id al-shi'r (The Foundations of Poetry), [30] by Qudama ibn Ja'far in the Naqd al-shi'r (Poetic Criticism), by al-Jahiz in the al ...
This anthology indexed and contextualized major Moroccan works of literature written in Arabic, and led to the development of a Moroccan literary canon. [4] Affirming both Morocco's contributions to Arabic literature and the long tradition of Arabic literature in Morocco, an-Nubūgh al-Maghribī was seen as a nationalist reaction to colonialism ...
Abū al-Farāj claimed to have taken 50 years in writing the work, which ran to over 10,000 pages and contains more than 16,000 verses of Arabic poetry.It can be seen as having three distinct sections: the first deals with the '100 Best Songs' chosen for the caliph Harūn al-Rashīd, the second with royal composers, and the third with songs chosen by the author himself. [3]
The Jamharat Ash'ar al-Arab claims that two of the most competent ancient authorities on Arabic poetry, al-Mufaddal (d. c. 790) and Abu ʿUbaidah (d. 824 CE), had already assigned to the "Seven" (i.e. "the seven Mu'allaqat") a poem each of al-Nabigha and al-A'sha in place of those of 'Antara and Harith.
Encyclopedia of Arabic Literature. Vol. 2. London; New York: Routledge. ISBN 0-415-18572-6. Moreh, S. (1976). Modern Arabic Poetry 1800–1970: The Development of its Forms and Themes under the Influence of Western Literature. Studies in Arabic Literature, 5. Leiden: E. J. Brill. ISBN 90-04-04795-6