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The final free download version (3.0) includes the ability to randomly generate background music which is composed on the fly from a combination of themes and also includes basic photo editing and touchup features. [2] The last version of Photo Story (3.1) was included with the discontinued Microsoft Digital Image 2006.
The Smurfs music; Speedy Gonzales (song) Sunshine Superman (song) Superman (The Clique song) Superman (Black Lace song) Superman (It's Not Easy) Superman (Pepe Luis Soto song) Superman's Dead; Surfing with the Alien (instrumental)
The Amazing Spider-Man: Music from the Motion Picture is a soundtrack album to the 2012 film The Amazing Spider-Man, composed by James Horner [1] and released by Sony Classical. [ 2 ] Track listing
Marvel Music was a short-lived imprint of Marvel Comics, introduced in 1994 to publish comics developed in collaboration with musicians. The concept descended from previous Marvel collaborations with Kiss (which starred in a Marvel Comics Super Special featuring the band portrayed as superheroes fighting Marvel villains), and Alice Cooper .
The music of the Marvel Cinematic Universe (MCU) covers the soundtracks of the American media franchise and shared universe, which is centered on a series of superhero films produced by Marvel Studios. The films are based on characters that appear in American comic books published by Marvel Comics.
"Gamer on a couch" comic [1] [4] GU Comics: Woody Hearn: 2000– [4] Megatokyo: Fred Gallagher and Rodney Caston: 2000– Follows the adventures of a manga and video game fan in Tokyo, Japan. [6] Penny Arcade: Jerry Holkins and Mike Krahulik: 1998– "Gamer on a couch" comic [1] [4] Polymer City Chronicles: Chris Morrison 1995–2007 [1] PvP ...
The soundtrack for the 2016 American superhero film Deadpool, based on the Marvel Comics character of the same name and distributed by 20th Century Fox, consists of an original score composed by Tom Holkenborg and a series of songs featured in the film.
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.