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A Buddhist coin of Kanishka I, with legend ΒΟΔΔΟ "Boddo" (=the Buddha) in Greek script on the reverse. Several other Buddhist deities may have been influenced by Greek gods. For example, Heracles with a lion-skin, the protector deity of Demetrius I of Bactria, "served as an artistic model for Vajrapani, a protector of the Buddha".
The clearest examples of Hellenistic art are found in the coins of the Greco-Bactrian kings of the period, such as Demetrius I of Bactria. Many coins of the Greco-Bactrian kings have been unearthed, including the largest silver and gold coins ever minted in the Hellenistic world, ranking among the best in artistic and technical sophistication ...
Serapis, a Greco-Egyptian god worshipped in Hellenistic Egypt. The concept of Hellenistic religion as the late form of Ancient Greek religion covers any of the various systems of beliefs and practices of the people who lived under the influence of ancient Greek culture during the Hellenistic period and the Roman Empire (c. 300 BCE to 300 CE).
Syncretism functioned as a feature of Hellenistic Ancient Greek religion, although only outside of Greece. Overall, Hellenistic culture in the age that followed Alexander the Great itself showed syncretist features, essentially blending Mesopotamian, Persian, Anatolian, Egyptian, and (eventually) Etruscan–Roman elements within a Hellenic formula.
The features are already rather late, and show a degeneration compared to more classical types: the drapery is already not as three-dimensional, and the head is large and broad-jawed. [20] Kushan art blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2]
Hellenism (Greek: Ἑλληνισμός) [a] in a religious context refers to the modern pluralistic religion practiced in Greece and around the world by several communities derived from the beliefs, mythology, and rituals from antiquity through and up to today.
Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
Such datation, as well as the general Hellenistic style and attitude of the Buddha on the Bimaran casket (Hellenistic treatment of the dress, contrapposto attitude) would make it a possible Indo-Greek work, used in dedications by Indo-Scythians right after the end of Indo-Greek rule in the area of Gandhara.