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Bawu (transverse free-reed flute) Hulusi (vertical gourd free-reed flute normally with one or two drone pipes) Chinese flutes are generally made from bamboo (see bamboo flutes) and belong to the bamboo classification of Chinese music, although they can be (and have been) made of other materials such as jade. [1] [2] [3] [4]
The oldest written sources reveal the Chinese were using the kuan (a reed instrument) and hsio (or xiao, an end-blown flute, often of bamboo) in the 12th-11th centuries b.c., followed by the chi (or ch'ih) in the 9th century b.c. and the yüeh in the 8th century b.c. [3] Of these, the chi is the oldest documented cross flute or transverse flute ...
The dizi is also a popular instrument among the Chinese people as it is simple to make and easy to carry. [a] Most dizi are made of bamboo, which explains why dizi are sometimes known by simple names such as Chinese bamboo flute. However, "bamboo" is perhaps more of a Chinese instrument classification like "woodwind" in the West.
Chi (Chinese: 篪; pinyin: chí) – ancient transverse bamboo flute; Yue (Chinese: 籥; pinyin: yuè) – ancient notched vertical bamboo flute with three finger holes; used in Confucian ritual music and dance; Xindi (新笛) – modern transverse flute with as many as 21 holes; Dongdi (侗笛) – wind instrument of the Dong people of ...
In Chinese mythology, Ling Lun is said to have created bamboo flutes which made the sounds of many birds, including the mythical phoenix. "In this way, Ling Lun invented the five notes of the ancient Chinese five-tone scale (gong, shang, jiao, zhi, and yu, which is equivalent to 1, 2, 3, 5, and 6 in numbered musical notation or do, re, mi, sol, and la in western solfeggio) and the eight sounds ...
The xiāo is a very ancient Chinese instrument usually thought to have developed from a simple end-blown flute used by the Qiang people of Southwest China in ancient period. In the oral traditions of the Xiao, practitioners and poets say its sound resembles the sweetness of the Phoenix's call, the king of birds in Chinese belief. [2]
Lee and Shen believed that the Jiahu culture understood the "resonance of an air column" (see open tube and closed tube) and were able to create an instrument that contained their "complete interval preference of Chinese music". Blowing across the open end of an end-blown bone flute to produce a musical sound, is accomplished in the same way ...
The use of xun in the Chinese history was found mainly in the performance of palace music. [5] However, the sound of xun is also associated as the symbol of respectable hermits, lady in sorrow, or heroes at the end of their strength, and is considered the best instrument to perform a heartbreaking tone, or to make solemn music within the royal ...