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Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Slendro on C compared to a whole tone scale on C.
This project will cover historical systems like Pythagorean tuning and meantone temperament, non-Western systems like pelog and slendro, and modern innovations like Harry Partch's 43-tone scale. The focus will be on microtonal and xenharmonic music; tunings such as New Standard Tuning for guitars that fall completely within 12-tone equal ...
The Pythagorean scale is any scale which can be constructed from only pure perfect fifths (3:2) and octaves (2:1). [5] In Greek music it was used to tune tetrachords, which were composed into scales spanning an octave. [6] A distinction can be made between extended Pythagorean tuning and a 12-tone Pythagorean temperament.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Meantone refers to meantone temperament, where the whole tone is the mean of the major third. In general, a meantone is constructed in the same way as Pythagorean tuning, as a stack of fifths: the tone is reached after two fifths, the major third after four, so that as all fifths are the same, the tone is the mean of the third.
Download QR code; Print/export Download as PDF; ... move to sidebar hide. Tone scale may refer to: Musical scales, including the Whole tone scale; Color scales ...
Nielsen RingScan is a weekly point-of-sale tracking service of ringtones and is offered by Nielsen Mobile, a division of a Nielsen Entertainment.RingScan currently reports on polyphonic, master and voice ringtones and will expand to include ringbacks and other types of ringtones.
The above scale allows a minor tone to occur next to a semitone which produces the awkward ratio 32:27 for D→F, and still worse, a minor tone next to a fourth giving 40:27 for D→A. Flattening D by a comma to 10:9 alleviates these difficulties but creates new ones: D→G becomes 27:20, and D→B becomes 27:16.