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The song includes a saxophone solo that Billboard described as "hot," as well as a guitar solo by Dave Davies. [2] [4] Cash Box said the song was "topical" with "a hypnotic blues-rock beat," summarizing the song as "good natured pop with a message." [5] Record World called it "a vintage Kinks rocker complete with raging guitar lines and a ...
The song's B-side, "I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed Up the Junction, a BBC Wednesday Play which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack.
[2] [3] As the song progresses and she goes on with life she continues to dream of Oklahoma and Hollywood ("She walks to work but she's still in a daze/ She's Rita Hayworth or Doris Day/ And Errol Flynn's gonna take her away/ To Oklahoma U.S.A."). The song opens and closes with the lyrics "All life we work, but work is a bore./
"Juke Box Music" has been positively reviewed by many critics. Robert Christgau recommended the track in his review of the Sleepwalker album, [4] and Rolling Stone claimed that it "is the best song [on Sleepwalker]." [3] AllMusic called the track "exceptional", [5] and said it was "yet another impressionistic portrait by the Kinks' Ray Davies". [6]
Dar Williams covered the song on her album End of the Summer. Fountains of Wayne covered the song on Late Night with Conan O'Brien ten days after the 9/11 terrorist attacks. Their version of the song later appeared on This Is Where I Belong - The Songs of Ray Davies & The Kinks, a tribute CD released on 2 April 2002.
Scattered (The Kinks song) See My Friends; Set Me Free (The Kinks song) Shangri-La (The Kinks song) She Bought a Hat Like Princess Marina; She's Bought a Hat Like Princess Marina; She's Got Everything (song) Sitting by the Riverside; Sitting in My Hotel; Sitting in the Midday Sun; Sleepwalker (The Kinks song) So Mystifying; Starstruck (The ...
The most misanthropic song he ever wrote: “20th Century Man” (1971) Davies came up with “Muswell Hillbillies’” stomping opener — “I’m a 20th century man but I don’t wanna die ...
The song was first released as the B-side to their single "Sunny Afternoon" but soon became a favourite and was often part of the Kinks live act. Ray Davies continues to play the song regularly and used the song as an opening number in his 2006-2008 solo live appearances. Cash Box said that it is a "rhythmic ode about a highly individual type ...