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' The Voice of South Africa '), also known as "The Call of South Africa" or simply "Die Stem" (Afrikaans: [di ˈstɛm]), was the national anthem of South Africa during the apartheid era. There are two versions of the song, one in English and the other in Afrikaans , which were in use early on in the Union of South Africa alongside God Save the ...
Die Stem" (English: "The voice of South Africa") was the co-national anthem [7] with "God Save the King" [a] between 1938 and 1957, when it became the sole national anthem until 1994. "Die Stem van Suid-Afrika" was composed of eight stanzas: the original four in Afrikaans and four in English - a translation of the Afrikaans with a few ...
"Nkosi Sikelel' iAfrika" (Xhosa pronunciation: [ŋkʼɔsi sikʼɛlɛl‿iafrikʼa], lit. ' Lord Bless Africa ') is a Christian hymn composed in 1897 by Enoch Sontonga, a Xhosa clergyman at a Methodist mission school near Johannesburg.
"God Save the King" (Afrikaans: God Red die Koning, God Red die Koningin when a Queen) was a co-national anthem of South Africa from 1938 until 1957, [118] when it was formally replaced by "Die Stem van Suid-Afrika" as the sole national anthem. [118] The latter served as a sort of de facto co-national anthem alongside the former until 1938. [118]
Enoch Mankayi Sontonga (c. 1873 – 18 April 1905) was a South African composer, who is best known for writing the Xhosa hymn "Nkosi Sikelel' iAfrika" (English: "God Bless Africa"), which, in abbreviated version, has been sung as the first half of the national anthem of South Africa since 1994.
Prior to tipoff, the wrong national anthem was played for the African nation, which emerged from civil war to become an independent nation in 2011. The South Sudanese players and their fans first ...
In response, it was decreed that the current lyrics did include women in context, and it was stated that "Stand and Sing of Zambia, Proud and Free" was "composed of historical lyrics that reflect the country's heritage and pride." [3] In 2012, Professor Michelo Hansungule repeated the concerns that the Zambian national anthem was too masculine.
Claude Joseph Rouget de Lisle, the composer of the French national anthem "La Marseillaise", sings it for the first time. The anthem is one of the earliest to be adopted by a modern state, in 1795. Most nation states have an anthem, defined as "a song, as of praise, devotion, or patriotism"; most anthems are either marches or hymns in style. A song or hymn can become a national anthem under ...