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"All Dressed Up for School" is a song by American rock band the Beach Boys that was recorded in 1964 during the early sessions for their album The Beach Boys Today!. Written by Brian Wilson, the lyrics express the narrator's newfound fascination with a girl after realizing "what a turn on" she is in school clothes. It is one of the last ...
Some pop and rock songs from the 1980s to the 2010s have fairly simple chord progressions. Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Don't Hurt My Little Sister" is a song by the American rock band the Beach Boys from their 1965 album The Beach Boys Today!. Written by Brian Wilson with additional lyrics by Mike Love , [ 2 ] it was inspired by Wilson's interactions with sisters Marilyn , Diane, and Barbara Rovell.
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
"I Don't Wanna Get Hurt" is a song by American singer-songwriter Donna Summer. It was the second single from Another Place and Time and, like other tracks from the album, was produced by Stock Aitken Waterman. The song was remixed from the album version and released on May 8, 1989, by Warner Bros. Records, in several European countries. It was ...
Some guitar instructors use it to teach students the open chords that can work as barre chords across the fret board. By replacing the nut with a full barre, a player can use the chord shapes for C, A, G, E, and D anywhere on the fret board to play any major chord in any key.