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Panis angelicus (Latin for "Bread of Angels" or "Angelic Bread") is the penultimate stanza of the hymn "Sacris solemniis" written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast, including prayers for the Mass and the Liturgy of the Hours.
The phenomenon whereby the strophe of Sacris solemniis that begins with the words "Panis angelicus" is often treated as a separate hymn has occurred also with other hymns that Thomas Aquinas wrote for Corpus Christi: Verbum supernum prodiens (the last two strophes beginning with "O salutaris hostia"), Adoro te devote (the strophe beginning with ...
As with Aquinas's other three Eucharistic hymns, the last few stanzas of the Lauda Sion are often used alone, in this case, to form the Ecce panis Angelorum. Text [ edit ]
It was released on 15 October 2012. The initial single is a double-A side release, the tracks "Panis Angelicus" and "Sancta Maria". [2] The first is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the Feast of Corpus Christi and the second is from Cavalleria rusticana.
William Byrd composed a setting for this hymn in the late 1500s. Marc-Antoine Charpentier composed six settings for "O salutaris Hostia": H.236 (1670), H.262 (1690), H.261 (1690), H.36 (1690), H.248 (1679–80), and H.249 (1681). Spanish composer Arriaga wrote a motet on the hymn for two tenors, bass and strings in 1823.
Building on Josquin's treatment of the hymn's third line in the Kyrie of the Missa Pange Lingua, the "do–re–fa–mi–re–do"-theme (C–D–F–E–D–C) became one of the most famous in music history, used to this day in even non-religious works by composers including Simon Lohet, Michelangelo Rossi, François Roberday, Johann Caspar ...
Louis Lambillotte was born at La Hamaide, near Charleroi and began studying solfège, piano, and harmony at the age of seven. [1] At the age of fifteen, he became organist in Charleroi; later he went in a similar capacity to Dinant (Belgium).
In 1862, he succeeded his father as organist of the Sainte-Marie church. He played on an organ of the Stoltz Frères company, and on a choir organ of the Merklin firm. In addition to his extensive works of sacred music such as the Messe de Saint-André, premiered at Notre Dame de Paris, and his Messe solennelle, Deslandres composed several successful opéras comiques.