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Medieval Europe also saw magic come to be associated with the Old Testament figure of Solomon; various grimoires, or books outlining magical practices, were written that claimed to have been written by Solomon, most notably the Key of Solomon. [11] In early medieval Europe, magia was a term of condemnation. [12]
The Rise of Magic in Early Medieval Europe is a historical study of magical beliefs in Europe between the 5th and 12th centuries CE. It was written by the English historian Valerie I.J. Flint, then of the University of Auckland, and published by Princeton University Press in 1991.
Image magic is a tradition of magic in medieval Europe originating from the influx of Arabic texts in the twelfth and thirteenth centuries and focused on astrology. It serves as a major precursor to and was reinterpreted by the Hermetic Renaissance magical traditions, particularly the work of Marsilio Ficino .
There is also a medieval-era Templar Magic Square in the Rivington Church in Lancashire, England. [45] Scholars have found medieval Sator-based charms, remedies, and cures, for a diverse range of applications from childbirth, to toothaches, to love potions, to ways of warding off evil spells, and even to determine whether someone was a witch. [46]
Noita refers to Finnish folk magic, which involves practices such as healing, protection, and divination. It draws from local traditions and folklore. Various forms of folk magic and witchcraft practices are present in Eastern European countries, often involving rituals, spells, and working with charms and herbs. [131] [132]
Medieval Europe also saw magic come to be associated with the Old Testament figure of Solomon; various grimoires, or books outlining magical practices, were written that claimed to have been written by Solomon, most notably the Key of Solomon. [84] In early medieval Europe, magia was a term of condemnation. [85]
The book has been important for the history of European magic, serving as a link between the earlier Greek magical practices and the later grimoires of Western Europe. During the early modern period, the book begun to be translated in Latin, becoming the source for future European grimoires, most notably the Key of Solomon. [7] [5]
The essential features of this medieval European magic involve dreams of a tutelary angel, strangely formulated prayers, magical figures, and following certain astrological prescriptions. These elements may bear an analogue to theurgy in its practice [26] [27] [28] and carry a vestige of the hermetic tradition. [29]