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Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives. [2]
In 1954, the Tate Gallery was finally separated from the National Gallery. Tate Liverpool opened in 1988. During the 1950s and 1960s, the visual arts department of the Arts Council of Great Britain funded and organised temporary exhibitions at the Tate Gallery including, in 1966, a retrospective of Marcel Duchamp. Later, the Tate began ...
Tate Liverpool was created to display work from the Tate Collection which comprises the national collection of British art from the year 1500 to the present day, and international modern art. The gallery also has a programme of temporary exhibitions.
Current events; Random article; ... The Tate — four museums that house the United Kingdom's national ... National Gallery Act 1856; National Gallery and Tate ...
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. [3] It is part of the Tate network of galleries in England, with Tate Modern , Tate Liverpool and Tate St Ives .
Tate St Ives reopened in October 2017, [10] with the inaugural exhibition in the new 500m2 gallery a solo show by contemporary sculptor Rebecca Warren, 'All that heaven allows'. [ 11 ] In July 2018, Tate St. Ives won the Art Fund Museum of the Year Prize, beating the other shortlisted museums (the Brooklands Museum , the Ferens Art Gallery ...
The lower tablet reads "The Palace Museum" (故 宫 博 物 院) in Beijing China: The Shanghai Museum India: The National Art Gallery in Chennai, India India: The National Gallery of Modern Art in Mumbai Iran: The National Museum of Iran in Tehran Iran: The Tehran Museum of Contemporary Art in Tehran Israel: The Israel Museum in Jerusalem ...
[12] When the Tate acquired the piece in 2013, critic Louisa Buck described it as "an important work" and "a sober minimalist piece in a long line of artists using every day materials for potent formal and psychological effect". [2] Work No. 227 has been identified as one of Creed's signature pieces, and one of his most notorious artworks.