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Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
Opening bars of Nocturne No. 19 in E minor. The Nocturne in E minor, Op. posth. 72 No. 1, WN 23, was composed by Frédéric Chopin for solo piano in 1826. [1] It was Chopin's first composed nocturne, although it was the nineteenth to be published, in 1855, along with two other early works: a funeral march in C minor and three écossaises.
While the popularity of individual nocturnes has varied considerably since Chopin's death, they have retained a significant position in piano repertoire, with the Op. 9 No. 2 in E ♭ major and the Op. 27 No. 2 in D ♭ major perhaps the most enduringly popular.
Op. 8, Trio for Violin, Cello and Piano in G minor (1829) Op. 9, 3 Nocturnes (1830–1831-1832) Nocturne in B ♭ minor; Nocturne in E ♭ major; Nocturne in B major; Op. 10, 12 Études (1829–1832) Étude in C major (1829–1830) Étude in A minor (1830) Étude in E major (1832) Étude in C ♯ minor (1832) Étude in G ♭ major (1830) Étude ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
Piano Concerto No. 2 in F minor (1829–1830), Op. 21. [12] Piano Concerto No. 1 in E minor (1830), Op. 11. [13] Grande polonaise brillante (1830–1831), in 1834 expanded with an introductory Andante spianato for solo piano, and a fanfare-like transition to the earlier composition, together published as Op. 22. [4]
Nocturne in E minor, Op. posth. 72 (Chopin) Nocturne in C minor, Op. posth. (Chopin) Nocturne in C-sharp minor, Op. posth. (Chopin) This page was last edited on 1 ...
KK. Vb/9 Lost. Copy of first line made by Chopin's sister Ludwika is extant. It seems this piece is different from the two écossaises belonging to Oskar Kolberg. 3 Marches C-minor, B-flat minor and F minor KK. Vd/1-3 Lost; perhaps includes the Marche funèbre in C minor, Op. posth. 72/2 and the Andante Dolente in B-flat minor Marches "early ...