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Franklin Gothic Condensed + Extra Condensed (1906, Benton) Franklin Gothic Italic (1910, Benton) Franklin Gothic Condensed Shaded (1912, Benton) Freehand (1917, Benton) Gallia (1927, Wadsworth A. Parker), some sources attribute this to Benton. Garamond series, based upon the designs of 16th-century type founder, Claude Garamond.
A digitisation of Eldorado by Font Bureau, on which Frere-Jones collaborated (shown is the Text optical size). Eldorado (1993–94) - revival of Dwiggins' Eldorado (1953), itself based on a 16th-century font by Jacques de Sanlecque the Elder.
A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
The font has been used in the TV shows Rhoda, My Life as a Teenage Robot, and Miami Vice. [citation needed] Several variants were made: [1] Broadway (1928, Morris Fuller Benton, ATF), capitals only. Broadway Engraved (1928, Sol Hess, Monotype). Broadway (with lowercase) (1929, Hess, Monotype). Broadway Condensed (1929, Benton, ATF).
Interstate is a digital Typeface designed by Tobias Frere-Jones in the period 1993–1999, and licensed by Frere-Jones Type.The typeface is based on the FHWA series of fonts, a series of signage alphabets drawn for the Federal Highway Administration by Dr. Theodore W. Forbes in 1949, assisted by J.E. Penton and E.E. Radek.
Download as PDF; Printable version; In other projects ... (1 in condensed), 2 shadowed fonts in 2 weights and 1 width, 1 shadowed outline font, 1 deco font ...
Venus Bold on an American metal type specimen sheet. Shown are the recut 'E' and 'F' with vertical rather than diagonal terminals on the horizontal strokes.
Rockwell is based on an earlier, more condensed slab serif design cast by the Inland Type Foundry called Litho Antique. Rockwell is a geometric slab-serif with a monoline construction, with all of its strokes appearing to be roughly the same width and its capital O roughly circular.