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"How Long, Not Long" is the popular name given to the public speech delivered by Martin Luther King Jr. on the steps of the State Capitol in Montgomery, Alabama. Martin Luther King Jr. delivered this speech after the completion of the Selma to Montgomery March on March 25, 1965. [ 1 ]
Days" is a short poem by Philip Larkin, written in 1953 [1] and included in his 1964 collection The Whitsun Weddings. It is 10 lines long. It is 10 lines long. See also
Like many of Eliot's poems, "The Love Song of J. Alfred Prufrock" makes numerous allusions to other works, which are often symbolic themselves. In "Time for all the works and days of hands" (29) Works and Days is the title of a long poem – a description of agricultural life and a call to toil – by the early Greek poet Hesiod. [27]
Eugene O"Neill quotes from both "Vitae Summa Brevis" and "Cynarae" in his play Long Day's Journey into Night (1941). Dowson's poem Vitae Summa Brevis a/k/a "Days of Wine and Roses" is recited by the character Waldo Lydecker in the 1944 Otto Preminger-directed film noir Laura and in the UK-produced TV series The Durrells in Corfu (series 2 ...
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
The three objects – the glass, the dial, and the book – may be purely metaphorical, not references to actual objects, but metaphors for observation, time and the act of writing. Sonnet 77 is the midpoint in the sequence of 154 sonnets.
Alfred, Lord Tennyson "Tears, Idle Tears" is a lyric poem written in 1847 by Alfred, Lord Tennyson (1809–1892), the Victorian-era English poet. Published as one of the "songs" in his The Princess (1847), it is regarded for the quality of its lyrics.
The rose always was, and is, and will be forever on the "Rood of Time. The poem is settled in the rose, to the point that the poem’s tone is one of sweet, suffering melancholy, a tone that is reaching for the sublime. In the 1890s, says Stephen Coote, Yeats was concerned for the "spiritual regeneration of his people": he felt that a spiritual ...